Category Archives: Culture

IN THE HEIGHTS — OF INANITY

Four years ago, Lin-Manuel Miranda portrayed Salman Rushdie, opposite F.Murray Abraham as Ayatollah Khomeini, in the hilarious Curb Your Enthusiasm “Fatwa!” episode.

Sometimes life imitates art. The real Rushdie apologized in a futile effort to evade a death sentence. Last month, the real Miranda apologized to evade a cancellation decree.

Salman Rushdie’s trouble arose from the publication of The Satanic Verses. Miranda’s arose from the broadcast of In the Heights, the movie version of the stage musical of the same name.

In the Heights follows a group of residents of Washington Heights, a neighborhood in Upper Manhattan, as they pursue their individual dreams. The story is uplifting, even patriotic. The central character, Usnavi, dreams of returning to the Dominican Republic to revive his late father’s bodega. But ultimately he chooses to remain in Washington Heights and remodel his local bodega there. His decision is based on the realization that his true home is America.

The highly successful stage musical established Miranda’s reputation, winning Tony Awards in 2008 for Best Musical, Original Score, Choreography, and Orchestrations. But the world changed between 2008 and 2021. When the movie version was released, Miranda was immediately condemned for “colorism;” namely, favoring light-skinned Hispanics over darker-skinned ones for the leading roles.

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THE SHAMING EPIDEMIC

An epidemic has swept over the country, spread by the cancel culture. It is called “shaming.”

Shaming comes in many forms. Some are acceptable, even wholesome. For example, long before they were prosecuted in court, Harvey Weinstein and Bill Cosby were shamed in the public arena for their deeply immoral, as well as criminal, conduct.  

Other forms of shaming are troubling, such as shaming for obnoxious statements made years earlier, when the speaker was young and immature.

Mimi Groves was 15 years old when she sent out a private snapchat video of herself celebrating her driver learner’s permit. The video contained a racial slur which, as she explained later, “was in all the songs we listened to, and I’m not using that as an excuse.” When the video surfaced, the University of Tennessee rescinded her admission.

Alexi McCammond was 17 years old when she tweeted messages with anti-Asian and homophobic content. She later apologized, and deleted the tweets. But screen images of her tweets remained. When she was named editor of Teen Vogue, at the age of 27, those ten-year old images resurfaced, and McCammond was forced to resign.

Shaming for youthful indiscretions is relatively rare. It runs counter to widely accepted beliefs in forgiveness and redemption. It also exposes the stone-throwers to the peril of being outed as glass house inhabitants. Christine Davitt, the Teen Vogue senior social media manager who led the shaming campaign against Alex McCammond for her 2011 tweets, now faces demands for her own ouster after her own tweets containing anti-black racial slurs, dating back to 2009 and 2010, surfaced.

But the most widespread and pernicious variant of shaming involves punishment for insufficient wokeness.

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WER IST STEINER? THE GENERAL WHO LET HITLER DOWN

Thanks to the movie Downfall, if Americans were asked to name the most famous German general of World War II, the winner would probably be Waffen SS General Felix Steiner.

Steiner has no lines, and does not even appear in the film. But he is the catalyst of one of its most dramatic scenes. In it, Hitler confers with his generals in his bunker as the Red Army surrounds Berlin. Despite the danger, Hitler believes that salvation is at hand. Once Steiner attacks, he will cut off the Russian salient, ending the encirclement and saving the Reich. Hitler’s staff exchange nervous glances before one haltingly informs the Fuhrer that Steiner has not and will not attack. A 4-minute rant follows, as Hitler rages against the Army and the SS. His fury gradually cools down to melancholic resignation as he sees that the end is inevitable.

The scene has spawned a thousand parodies, elevating Steiner to a level of fame few if any other German commanders can match.

But who was this Steiner who so infuriated the Fuhrer?

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THE ACADEMY FLUNKS OUT

The dominant trend in modern American culture is identity politics: the obsession over one’s skin color, genitalia, or sexual orientation, and the belief that those immutable characteristics somehow determine one’s values and attitudes. 

One might expect Hollywood to defy that trend. After all, the entertainment industry encourages individual creativity and personal liberation. We know this to be true because every year, when Hollywood’s luminaries gather for the Oscar presentations, they tell us so.

In fact, Hollywood has always been more cowardly and conformist than confrontational. It will produce a Mulan but it will never again produce a Manchurian Candidate – at least not as long as the Chinese Communist Party controls the hugely lucrative Chinese market.

The latest affirmation of Hollywood’s conformity is the adoption by the Academy of Motion Picture Arts and Sciences of so-called “Inclusion Standards.” The Standards are lengthy and incredibly convoluted. But it pays to take the time to examine them because their very complexity reveals much about the politically correct bean-counting mindset impelling their creation.        

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A CAPITAL OFFENSE

The latest trend in woke journalism is the use of the capital letter “B” to refer to black people. This is in contrast to “white”, “brown”, “yellow”, and “red” – occasional descriptors of other racial groups. They all remain in lower case. The trend has been embraced by the New York Times, the Associated Press, USA Today, and several other pillars of American journalism. It is safe to say that it will soon become the norm – if it is not so already.

The mainly white-owned and operated organizations behind this trend believe that by doing so, they are showing respect to black America. They are wrong. Capitalizing “Black” does not show respect. It patronizes.

New York Times

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ASSESSING TEDDY ROOSEVELT

Future generations may look back at 2020 as the Year of Madness. In the name of racial justice, statues of Abraham Lincoln and Ulysses Grant – the two men most responsible for the eradication of American slavery – have been defaced. The destruction in Madison, Wisconsin of the monument to Hans Christian Heg may mark the nadir of the inanity. Heg, a Norwegian immigrant, devoted his life to the abolitionist cause, fought bravely in several Civil War battles, and died leading a charge against a numerically superior Confederate force. His statue was torn down, decapitated, and thrown into a lake.

The equestrian statue of Theodore Roosevelt at the entrance of the American Museum of Natural History is another target of our national Cultural Revolution. The monument features Roosevelt on horseback, with a Native American on one side and an African on the other, both on foot. According to James Earle Fraser, the sculptor, the two figures at Roosevelt’s side “are guides symbolizing the continents of Africa and America, and … stand for Roosevelt’s friendliness to all races.” According to John Russell Pope, the Museum architect, the three figures together comprise “a heroic group.”

Teddy Roosevelt Statue

The statue will be removed because some object to the fact that Roosevelt occupies a position of prominence, seated in the center on horseback while his Indian and African guides stand on either side. The configuration, socially conscious critics insist, signifies that the Indian and African are inferior.

Of course there is another, less contentious explanation for Roosevelt’s central placement:  the statue was erected to honor him. Roosevelt was a devoted conservationist and the author of many books on natural history. As President, he placed some 230 million acres of land under protection. His father was a co-founder of the Museum, which has enjoyed a long association with the Roosevelt family. He occupies the central position for the same reason a newly wedded couple occupies the center of a family photograph. It doesn’t signify that the family members off to the sides are inferior; it simply means that they are not the main subject of the photograph.

The fact that removal has been ordained by the Museum Board itself, rather than by a mob, should fool no one. The Board acted under the same pressure animating the rest of our Cultural Revolution.

Rather than organize counter-mobs to protect such statues, perhaps the best response may be to use these events to educate the public.  As the destruction of the Hans Christian Heg statue demonstrates, much of the current madness arises from plain ignorance. The best cure for ignorance is knowledge. Continue reading

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WINSTON CHURCHILL’S LIFE MATTERED

In the wake of the George Floyd killing, protests have erupted around the world. Now Winston Churchill has been caught up in the maelstrom.

His monument in London’s Parliament Square has been boarded up after protesters daubed “was a racist” in red paint on it. His granddaughter Emma Soames told the BBC that the statue may have to be placed in a museum for its own protection.

The Churchill monument is by no means alone in attracting controversy. Confederate statues have been removed or covered with graffiti all over the South. Statues of Columbus have been toppled or vandalized in Miami, Richmond, and St. Paul. Those actions, whatever one might believe about their propriety, are at least understandable. It is hard to make sense of some of the other statue protests. In Boston, a memorial to the 54th Massachusetts Regiment, the first black volunteer infantry unit in the Civil War, was defaced, and a petition to take down a statue of Abraham Lincoln has attracted 7,000 signatures. In Leicester, England,  a petition to remove a statue of Churchill’s erstwhile foe Mahatma Gandhi has received nearly 5,000 signatures.

One can only say, with Mark Antony: “Mischief, thou art afoot. Take thou what course thou wilt.”

But is the assault on Churchill’s monument mere mischief? Or was he in fact a racist?

In these times of upheaval and uncertainty, an answer of absolute conviction is due. So the only proper response to that question is an adamant: “Yes, but.”

Churchill Monument

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HER FINEST HOUR

Elizabeth Alexandra Mary Windsor, known by her professional name Queen Elizabeth II, spoke to the world about the Covid-19 pandemic Sunday night. Her speech demonstrated why modern skeptics – including small-d democrats and small-r republicans — still find themselves awestruck by the ancient institution of monarchy.

Of course, Queen Elizabeth is not just any monarch. She carries with her person the aura of lengthy history. When she first addressed her realm she was a 14-year old Princess. World War II was in its early stages, Winston Churchill had been Prime Minister for only 5 months, the United States was neutral, and Stalin’s Soviet Union and Hitler’s Nazi Germany were cooperative partners in a non-aggression pact. Her speech was designed to comfort evacuated British children who had been sent to the Commonwealth nations and the United States for safety. The broadcast was Churchill’s idea. He thought to use the young Princess to charm America into entering the war on Britain’s side.

On her 21st birthday, when she addressed her people again, she spoke as a confident young woman, who was nobody’s tool. She said: “I declare before you all that my whole life, whether it be long or short, shall be devoted to your service and the service of our great imperial family to which we all belong.”

Her life has certainly been long. She is almost 94 years old. She has ruled Great Britain and the Commonwealth for 68 years, longer than any other British monarch: 20 years longer than her namesake Queen Elizabeth I, and 5 years longer than her paternal great-great-grandmother Queen Victoria.

Her reign has had its share of successes and scandals, of family heroism and squalor. Just a few months ago, before anyone had heard of Covid-19, the press was full of stories about Prince William, Kate Middleton, Meghan Markle, and Prince Harry: where they were living, who was talking to whom, and other such delectable irrelevancies. None of that seems to matter now. On Sunday night, the Queen spoke as if her long and eventful life had been a preparation for the moment.

Queen Elizabeth

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WHY NOT A 1776 PROJECT?

Last August, the New York Times launched The 1619 Project, an ambitious effort to educate the public on the role of slavery in shaping America. The Project began with an issue of the Times Sunday Magazine devoted entirely to the subject of slavery. It has grown to include a podcast, and curriculum materials for schools. A book is planned. There is reason to believe that a generation of young, impressionable students will form their historical outlooks based on the Project.

Its title says much about its purpose: to challenge the notion that 1776 is the birth year of America. According to the Times, 1619, when slaves are said to have first arrived on our shores, “is the country’s very origin.”

It’s worth noting at the outset that the title of the Project may be misplaced.  According to Professor Nell Painter, the first Africans to arrive on our shores in 1619 were indentured servants, not slaves — a status they shared with many impoverished white arrivals. Racialized slavery did not emerge in Virginia until the 1660s. But setting aside the question of dates, the abominable institution of slavery took root in the New World and two centuries would pass before it was extirpated.

chains

Now any project that aims to educate the public on our nation’s history should be lauded. Much of the information imparted by the 1619 Project is thought-provoking and valuable. But its central theme should not go unchallenged.

Project creator Nickole Hannah-Jones, in her introductory essay, describes this theme:

Conveniently left out of our founding mythology is the fact that one of the primary reasons the colonists decided to declare their independence from Britain was because they wanted to protect the institution of slavery. By 1776, Britain had grown deeply conflicted over its role in the barbaric institution that had reshaped the Western Hemisphere. In London, there were growing calls to abolish the slave trade. This would have upended the economy of the colonies, in both the North and the South…. In other words, we may never have revolted against Britain if the founders … had not believed that independence was required in order to ensure that slavery would continue. … [S]ome might argue that this nation was founded not as a democracy but as a slavocracy.

If these statements were true, if the purpose of the American Revolution was to preserve slavery, then our nation was founded in evil, and every American should properly feel some element of shame in his or her heritage.

But these statements are not true. They are wrong. Continue reading

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TIME TO RETIRE PEOPLE ‘OF COLOR’?

People “of color” are everywhere. We are here referencing the term, not the people.  “Debate so white: candidates of color miss out as Democratic field narrows” a recent headline in The Guardian informs us. “Physicians of color are far too rare” worries the Philadelphia Inquirer. “People of color win majority of acting Oscars for the first time in history” announced the headline of Entertainment Weekly in the wake of the awards last February.

The history of the term “of color” is, well, colorful. Its use dates back at least as far as the 1790s, when French colonists coined the term “gens de couleur” to refer to light-skinned people of mixed African and European heritage. In the Deep South, freed blacks called themselves “people of color” to distinguish themselves from African slaves. During the Civil War, Frederick Douglass gave a speech in Rochester, New York, entitled “Men of Color, To Arms!” urging African Americans to enlist in the Union Army.

MEN OF COLOR TO ARMS

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